Respuesta :
Answer:
n the poem, the birds of the world gather to decide who is to be their sovereign, as they have none. The hoopoe, the wisest of them all, suggests that they should find the legendary Simorgh. The hoopoe leads the birds, each of whom represents a human fault which prevents human kind from attaining enlightenment.
The hoopoe tells the birds that they have to cross seven valleys in order to reach the abode of Simorgh. These valleys are as follows:[2]
1. Valley of the Quest, where the Wayfarer begins by casting aside all dogma, belief, and unbelief.
2. Valley of Love, where reason is abandoned for the sake of love.
3. Valley of Knowledge, where worldly knowledge becomes utterly useless.
4. Valley of Detachment, where all desires and attachments to the world are given up. Here, what is assumed to be “reality” vanishes.
5. Valley of Unity, where the Wayfarer realizes that everything is connected and that the Beloved is beyond everything, including harmony, multiplicity, and eternity.
6. Valley of Wonderment, where, entranced by the beauty of the Beloved, the Wayfarer becomes perplexed and, steeped in awe, finds that he or she has never known or understood anything.
7. Valley of Poverty and Annihilation, where the self disappears into the universe and the Wayfarer becomes timeless, existing in both the past and the future.
Sholeh Wolpé writes, "When the birds hear the description of these valleys, they bow their heads in distress; some even die of fright right then and there. But despite their trepidations, they begin the great journey. On the way, many perish of thirst, heat or illness, while others fall prey to wild beasts, panic, and violence. Finally, only thirty birds make it to the abode of Simorgh. In the end, the birds learn that they themselves are the Simorgh; the name “Simorgh” in Persian means thirty (si) birds (morgh). They eventually come to understand that the majesty of that Beloved is like the sun that can be seen reflected in a mirror. Yet, whoever looks into that mirror will also behold his or her own image."[2]:17–18
If Simorgh unveils its face to you, you will find
that all the birds, be they thirty or forty or more,
are but the shadows cast by that unveiling.
What shadow is ever separated from its maker?
Do you see?
The shadow and its maker are one and the same,
so get over surfaces and delve into mysteries.[2]Explanation:
- “The Conversation of Birds", the title occurs in the story are the feathered creatures of the world accumulate to choose who is to be their autonomous.
- The author chose this phrase for the title is the depiction of these valleys.
“The Conversation of Birds"
“The Conversation of Birds", the title occurs in the story are :
- In the poem, the feathered creatures of the world accumulate to choose who is to be their autonomous, as they have none.
- The hoopoe, the most shrewd of them all, proposes that they ought to discover the incredible Simorgh.
- The hoopoe leads the feathered creatures, each of whom speaks to a human blame which anticipates human kind from accomplishing enlightenment.
The author chose this phrase for the title is :
- "When the feathered creatures listen the depiction of these valleys, they bow their heads in trouble; a few indeed kick the bucket of trepidation right at that point and there.
- On the way, numerous die of thirst, warm or sickness, whereas others drop prey to wild monsters, freeze, and savagery.
- Finally, as it were thirty winged creatures make it to the house of Simorgh. In the conclusion, the feathered creatures learn that they themselves are the Simorgh; the title “Simorgh” in Persian implies thirty (si) winged creatures (morgh).
Learn more about “The Conversation of Birds":
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