Read the excerpt from act 2 of A Doll's House. Rank: Let me play for her. Helmer [getting up]. Yes, do. I can correct her better then. [RANK sits down at the piano and plays. NORA dances more and more wildly. HELMER has taken up a position beside the stove, and during her dance gives her frequent instructions. She does not seem to hear him; her hair comes down and falls over her shoulders; she pays no attention to it, but goes on dancing. Enter MRS. LINDE:] Mrs. Linde: [standing as if spell-bound in the doorway] Oh!— Nora: [as she dances] Such fun, Christine! Helmer: My dear darling Nora, you are dancing as if your life depended on it. Nora: So it does. Helmer: Stop, Rank; this is sheer madness. Stop, I tell you! [RANK stops playing, and NORA suddenly stands still. HELMER goes up to her.] I could never have believed it. You have forgotten everything I taught you. Nora: [throwing away the tambourine]. There, you see. Helmer: You will want a lot of coaching. Nora: Yes, you see how much I need it. You must coach me up to the last minute. Promise me that, Torvald! Helmer: You can depend on me. Which statement best describes the dramatic irony in this passage? The audience knows that the tarantella is supposed to be wildly fast, but Helmer does not. The audience knows that Nora is intentionally failing to dance correctly, but Helmer does not. The audience knows that Helmer does not know how to dance, but Nora does not know this. The audience knows that Doctor Rank loves Nora, but Helmer does not know that he does.

The correct answer that shows the dramatic irony in this passage is "The audience knows that Nora is intentionally failing to dance correctly, but Helmer does not."

We can see it when Helmer ask her for training to dancing well and Nora just dance because she want to, not because she is actually dancing it well. She answers him, once he said it, in a really sarcastic way that Helmer do not get

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sahilnagarbiology sahilnagarbiology · Answer 2 · 2021-12-08T08:19:23+01:00

The right answer that shows the sensational incongruity in this section is The crowd realizes that Nora is purposefully neglecting to move effectively, yet Helmer doesn't.

We can see it when Helmer ask her for preparing to moving admirably and Nora simply dance since she need to, not on the grounds that she is really moving it well. She responds to him, when he said it, in a truly wry way that Helmer don't get.

The primary topics of Henrik Ibsen's A Doll's House spin around the qualities and the issues of late nineteenth century bourgeoisie, to be specific what looks proper, the worth of cash, and the manner in which ladies explore a scene that passes on them little space to champion themselves as real people.

The play was entirely questionable, to the point that Ibsen had to compose a second closure that he called a savage shock to be utilized just when fundamental.

The discussion revolved around Nora's choice to forsake her kids, and in the second consummation she concludes that the youngsters need her an overabundance her opportunity.

A Doll's House closes with the ramming of an entryway. Nora betrays her significant other and children and takes off into the snow to make her own specific manner on the planet . It's an intense choice, most definitely.

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