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Passage 1

adapted from A Dog's Tale
by Mark Twain

It was such a charming home!—my new one; a fine great house lit up with flooding sunshine; and the spacious grounds around it—noble trees and flowers, no end! I was the same as a member of the family; and they loved me, and petted me, and did not give me a new name, but called me by my old one that was dear to me because my mother had given it me—Aileen Mavourneen. She got it out of a song, and the Grays knew that song, and said it was a beautiful name.
Mrs. Gray was thirty, and so sweet and so lovely, you cannot imagine it, and Sadie was ten, and just like her mother, just a darling little copy of her; and the baby was a year old, and plump and dimpled, and fond of me, and never could get enough of hauling on my tail, and hugging me, and laughing out its innocent happiness; and Mr. Gray was thirty-eight, a renowned scientist who worked in a laboratory.
Oftentimes I lay on the floor in the mistress's work-room and slept, she gently using me for a foot-stool, knowing it pleased me, for it was a caress; other times I spent an hour in the nursery, and got well tousled and made happy; other times I watched by the crib there, when the baby was asleep; other times I romped and raced through the grounds and the garden with Sadie till we were tired out, then slumbered on the grass in the shade of a tree while she read her book.

Passage 2

excerpt from Little Women
by Louisa May Alcott

"Girls, where are you going?" asked Amy, coming into their room one Saturday afternoon, and finding them getting ready to go out with an air of secrecy which excited her curiosity.
"Never mind. Little girls shouldn't ask questions," returned Jo sharply.
Now if there is anything mortifying to our feelings when we are young, it is to be told that, and to be ordered to "run away, dear" is still more trying to us. Amy angered at this insult, and determined to find out the secret, if she teased for an hour. Turning to Meg, who never refused her anything very long, she said coaxingly, "Do tell me! I should think you might let me go, too, for Beth is fussing over her piano, and I haven't got anything to do, and am so lonely."
"I can't, dear, because you aren't invited," began Meg, but Jo broke in impatiently, "Now, Meg, be quiet or you will spoil it all. You can't go, Amy, so don't be a baby and whine about it."

Question: How does point of view contribute to the organization of these passages?
A: Both the first-person and third-person points of view allow the stories to have a problem and solution.
B: The first-person point of view in Passage 1 allows the story to have a descriptive organization. The third-person point of view in Passage 2 allows for a problem-and-solution construction.
C: Both the first-person and third-person points of view allow the stories to be constructed in a cause and effect structure.
D: The first-person point of view in Passage 1 allows a descriptive organization from the dog's perspective. The third-person point of view in Passage 2 allows events to be written in chronological order.